• At this summer’s Reborn Art Festival, seven groups of curators and approximately sixty diverse groups of artists will participate in seven areas of Ishinomaki City in Miyagi Prefecture.

    In part two of the interview with Takeshi Kobayashi, we asked about his exhibition plans as curator of the Momonoura area and the ideas evoked by the nature of the Tohoku region.

    Living Space points toward the Japanese outlook on the universe

    My curation theme is “Living Space.” For the first Reborn Art Festival, I created a lodging facility called Momonoura Village (もものうらビレッジ). Less than a five-minute walk away is the former Oginohama Elementary School, an abandoned school building we use as an RAF venue. After the earthquake and tsunami, a seawall was built along the coastline there, completely blocking the view of the sea. After sundown, people start to gather from here and there, which gave me the idea that this whole area could be like a living room.

    [ A coastal sunset in the Sanriku area・Reborn Art Festival ]

    “Living Space” means, as its name implies, the space in which we live, but I also feel that it is connected to the Japanese outlook on the universe. Grandfathers and grandchildren, neighbors and business partners all gather together in a living room and intermingle, blurring generational differences and boundaries.

    Peach Beach, Summer School is a dramatic piece by Tohru Nakazaki which delves into the history of the region, offering a dense summer evening to the audience. Yayoi Kusama’s new work will also be on display, and there will be eating, nocturnal spirituality, music, alcohol, sleep—I think things can go in various wonderful directions. I imagine that strangers will meet and naturally start a conversation without knowing anything about each other—from such conversations, which could not be created rationally, new resonances will be born.

    [ Takeshi Kobayashi shares his thoughts・Takeru Kasama ]

    Life-giving waters, the embodiment of Asia

    The human body is composed primarily of water, and many Asian countries have rainy seasons. The weather is hot and humid, and sweat seeps from our pores—but somehow it feels good, and visitors from other Asian countries will surely sympathize with that feeling.

    The tsunami happened when the power of the sea became too terribly great. I believe that fear, death, and the dark of night are all part of life, and it was an experience which allowed us to truly feel that we are a part of nature.

    RAF does not have the convenient services of a city, but it is full of opportunities for feeling the “Texture of Life” and realizing that we are alive. I believe that a journey is, at its core, an extended encounter, and that many unforeseen things await us.

    [ Ryoko Aoki + Zon Ito’s Beach, Hand, and Brain at Namidahama, 2017・ Reborn Art Festival ]

    Inspiration from Tohoku for transforming negative into positive

    The phrase “Texture of Life” connotes both the simplicity of feeling something with one’s hands as well as the great internal expanse of experiencing this very moment in a small corner of the universe. Tohoku is certainly the best place in Japan to feel this sensation.

    The Great Tohoku earthquake and tsunami was a once-in-500-years, once-in-a-millennium disaster which created an incredible sensibility to living and life. International visitors have always perceived this sensibility in the Japanese people, but in Tohoku I believe they will feel an even deeper, greater, and broader sensibility; I feel that the participating artists are responding strongly to that vision as they create their works.

    Anywhere you look in the world today, you see conflicting ideologies, inequality, and the possibility of terrorist attacks. I want people to feel that something positive can be born from a negative such as a natural disaster, thereby giving people inspiration for how the world could be in the future. I’m someone who truly wishes for peace.

    There is an altruistic way of living and a self-interested way of living. Business cannot be anything other than a self-interested way of bargaining and negotiating, can it? This festival is the exact opposite of that—after all, we’re not doing Reborn Art out of self-interest.

    (Part I can be found here.)

    [ The magnificent nature of coastal Miyagi・Reborn Art Festival ]

  • Last Update
    June 27, 2019

    Area Sanriku Coast

Details

ADDRESS

Various locations throughout Ishinomaki City, the Oshika Peninsula, and Aji Island

ACCESS BY PUBLIC TRANSIT

Varies by artwork. See official website and official guide book for details. A rental cycle is a great way to explore the festival if you're up for a little workout.

Central Ishinomaki Area: A short walk from Ishinomaki Station

Momonoura, Oginohama, Koizumi, & Ayukawa Areas: Accessible by Ayukawa Line (鮎川線) bus from Ishinomaki Station (石巻駅). Ayukawa Line timetable here (weekdays) and here (weekends & holidays).

Ajishima Area: About 1 hour by boat from the Ajishima Line Chuo Terminal (網地島ライン中央発着所). The Chuo Terminal is a 15-minute walk from Ishinomaki Station. Board boat bound for Ajishima (網地島), alight at Aji Port (網地港). Details and timetable here.

ADMISSION

RAF Passport (covers entry to all artworks*): Adults ¥3,000, college & high school students ¥2,500.
*Food events and ticketed concerts extra. See official website for details.

LANGUAGES

English

HOURS

Festival runs August 3–September 29, 2019*. Hours vary by artwork.
*Aji Island Area artworks open August 20–September 29, 2019.

CLOSED DAYS

Wednesdays (except August 14 & when special events are being held, see official website for details)

OFFICIAL URL

https://www.reborn-art-fes.jp/en/